Carl Spitzweg
German Painter, 1808-1885 German painter. He trained (1825-8), at his father's insistence, as a pharmacist, by 1829 becoming manager of a pharmacy in the Straubing district of Munich. From 1830 to 1832 he made advanced studies in pharmacy, botany and chemistry at the University of Munich, passing his final examination with distinction. On receiving a large legacy in 1833, which made him financially independent, he decided to become a painter. He had drawn since the age of 15 and had frequented artistic circles since the late 1820s; but he had no professional training as a painter. He learnt much from contacts with young Munich landscape painters such as Eduard Schleich the elder and produced his first oil paintings in 1834. In 1835 he became a member of the Munich Kunstverein but left two years later due to disappointment over the reception of the first version of the Poor Poet (1837; Munich, Neue Pin.; second version 1839; Berlin, Neue N.G.), a scene of gently humorous pathos that has since become his most celebrated work. Spitzweg's decision to leave the Kunstverein, however, was also encouraged by his first successful attempts to sell his paintings independently. In 1839 he travelled to Dalmatia, where he made sketches that he used for many later works on Turkish themes (e.g. the Turkish Coffee House, c. 1860; Munich, Schack-Gal.). From the 1840s he travelled regularly, usually with his close friend, the painter Schleich, both within Bavaria and to Austria and Switzerland and also to the Adriatic coast, especially to Trieste.

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Carl Spitzweg Landschaft am Ammersee. First version oil painting


Landschaft am Ammersee. First version
ca. 1860. Oil on wood. 15.7 x 32 cm cjr
Painting ID::  86063
Carl Spitzweg
Landschaft am Ammersee. First version
ca. 1860. Oil on wood. 15.7 x 32 cm cjr
   
   
     

Carl Spitzweg Der Briefbote im Rosenthal oil painting


Der Briefbote im Rosenthal
Ca. 1858/65. Oil on canvas. 73.5 x 48.5 cm. cjr
Painting ID::  86065
Carl Spitzweg
Der Briefbote im Rosenthal
Ca. 1858/65. Oil on canvas. 73.5 x 48.5 cm. cjr
   
   
     

Carl Spitzweg Turken in einem Kaffeehaus oil painting


Turken in einem Kaffeehaus
1855(1855) Medium Oil on canvas Dimensions 52 x 41 cm cyf
Painting ID::  86076
Carl Spitzweg
Turken in einem Kaffeehaus
1855(1855) Medium Oil on canvas Dimensions 52 x 41 cm cyf
   
   
     

Carl Spitzweg Gewitterstimmung oil painting


Gewitterstimmung
Date c. 1870(1870) Medium Oil on wood Dimensions 15 x 23 cm cjr
Painting ID::  86408
Carl Spitzweg
Gewitterstimmung
Date c. 1870(1870) Medium Oil on wood Dimensions 15 x 23 cm cjr
   
   
     

Carl Spitzweg Badende Nymphe oil painting


Badende Nymphe
Date c. 1855(1855) Medium Oil on canvas Dimensions 54 x 40 cm cjr
Painting ID::  86409
Carl Spitzweg
Badende Nymphe
Date c. 1855(1855) Medium Oil on canvas Dimensions 54 x 40 cm cjr
   
   
     

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     Carl Spitzweg
     German Painter, 1808-1885 German painter. He trained (1825-8), at his father's insistence, as a pharmacist, by 1829 becoming manager of a pharmacy in the Straubing district of Munich. From 1830 to 1832 he made advanced studies in pharmacy, botany and chemistry at the University of Munich, passing his final examination with distinction. On receiving a large legacy in 1833, which made him financially independent, he decided to become a painter. He had drawn since the age of 15 and had frequented artistic circles since the late 1820s; but he had no professional training as a painter. He learnt much from contacts with young Munich landscape painters such as Eduard Schleich the elder and produced his first oil paintings in 1834. In 1835 he became a member of the Munich Kunstverein but left two years later due to disappointment over the reception of the first version of the Poor Poet (1837; Munich, Neue Pin.; second version 1839; Berlin, Neue N.G.), a scene of gently humorous pathos that has since become his most celebrated work. Spitzweg's decision to leave the Kunstverein, however, was also encouraged by his first successful attempts to sell his paintings independently. In 1839 he travelled to Dalmatia, where he made sketches that he used for many later works on Turkish themes (e.g. the Turkish Coffee House, c. 1860; Munich, Schack-Gal.). From the 1840s he travelled regularly, usually with his close friend, the painter Schleich, both within Bavaria and to Austria and Switzerland and also to the Adriatic coast, especially to Trieste.

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